Christoph Wagner's lighting design evokes this legal twilight zone from the opening scene: the stage is sunk in cloying darkness, relieved only by the green light illuminating two men driving their car, so that when the cop emerges to stop them with his accusatory bright torchlight, he seems to appear from nowhere.

Rachel Halliburton, Time Out, How To Act Around Cops

[The director] makes maximum use of the minimal set and Christoph Wagner's clever lighting.

Jeremy Austin, The Stage, How To Lose Friends and Alienate People

The strongly effective lighting and technical electrics by Christoph Wagner add surprise and force to highlight dramatic moments in the plot.

David Walters, The Front Row Center, One Green Bottle

Christoph Wagner's lighting shifts us beautifully through Bradshaw's strange journey across England,...

Joyce McMillan, The Scotsman, Victory

...with clever projections and well designed sound effects and lighting throughout.

Jan Ewing, Pup's Books, One Green Bottle