Photos by Christoph Wagner, Sheila Burnett, Robert Day, Philippe Spall, Masahiko Yako and Murtaja Mh

Christoph Wagner's lighting design evokes this legal twilight zone from the opening scene: the stage is sunk in cloying darkness, relieved only by the green light illuminating two men driving their car, so that when the cop emerges to stop them with his accusatory bright torchlight, he seems to appear from nowhere.

Rachel Halliburton, Time Out, How To Act Around Cops

[The director] makes maximum use of the minimal set and Christoph Wagner's clever lighting.

Jeremy Austin, The Stage, How To Lose Friends and Alienate People

Christoph Wagner's lighting shifts us beautifully through Bradshaw's strange journey across England,...

Joyce McMillan, The Scotsman, Victory